New Beginnings

With the major revisions to Hunters completed (again), I sat down yesterday to reread some of what I’d done and got stopped to make a few adjustments to the very first scene.

The first scene is inarguably vital to the rest of the novel, in that if the scene fails to set the tone, present the reader with a story question, introduce engaging character, and land on something that will yank the reader forward into the next scene, the reader might just well put the book down and walk on. This is why, I think, so many authors rely on the prologue. Stories just don’t usually start with a bang, but we feel like books need to. The bang doesn’t always have to be bloody, violent, or fraught with thrills, though. Sometimes something that is an emotional bang for the character makes a stronger opening than a bloody battlefield.

I think the key to writing a beginning is really all about focusing on those few factors that really bring a reader through the scene wanting more.  My list of things to check the first scene for (and every scene thereafter to some extent) is four simple things:

  1. Tension and Emotion – these are the building blocks for a solid character and for getting the reader to care about the people in your story. People read for people, it’s as simple as that, and no matter how cool your premise or concept, if the characters aren’t engaging and at least somewhat sympathetic, your readers aren’t going to care what you put them through to reach their goals.
  2. Story questions – give the reader something they need to find out about, and make it clear. This doesn’t need to be the story question – you can definitely employ a little bait and switch here if you do it subtly, but the question needs to be clear and strong and something worth reading.
  3. Tone and voice – these absolutely must be consistent with the rest of the story, otherwise you’re promising the readers who like the original tone something you’ll fail to deliver, and potentially scaring off the readers who prefer the latter tone to the former.
  4. A hook (or two) – something at that makes the reader unable to put the book down. My preference is for two of these – one at the beginning and one at the end of the scene. This is often accomplished with a simple bit of shocking dialog or something that twists the perceptions of the scene and makes the reader rabid to get to the next part and find out what happens or why.

So how do you work beginnings? What elements do you check for in revision to make sure your beginnings stand out?

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Where My Towel Is

I stumbled upon a video hosted at the TED Talks website today that some of you might find interesting. Douglas Adams, author of Hitchhiker’s Guide to the Galaxy among many other well-known SF novels gives a long talk about some of his amazing adventures tracking down unique, endangered creatures with the BBC.

Douglas Adams on Evolution

This is not a traditional TED Talk format (note the length of 87 minutes), but it was well worth the time.  Adams injects his humor and amazing voice into the talk and kept me entertained. For those of you who are more interested in the author’s writings than his wanderings and thoughts on evolution and the nature of god, he answers some fan questions at about the 1:20 mark, including a story about how he came up with the towel line from Hitchhiker’s Guide.

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Damned Lies and Statistics

OK, so I don’t have any lies to tell. I do, however, have some very interesting statistics about my personal writing. I just spent the last few days converting ever bit of my writing from the last 9.5 years that I have available in digital format to PageFour software for writers.

It took for freaking ever, it seemed. I had no idea I’d written so much! So when I finished porting all the writing and notes into PageFour, I decided to figure up just how much I had actually written.

These counts do not reflect academic, blog, or journal writing, poetry, pre-writing notes, first drafts of already edited manuscripts, deleted scenes from finished projects, the original starts for things I scrapped and started over (several of those), handwritten stories, etc.. It’s just the words I currently have on all of the projects I’ve written.

Since June of 2001, I have written 487,000 words across a total of 38 projects. 16 novels, 12 non-fiction essay/articles, and 10 short stories. I have completed 3 novels, 8 articles and essays, and 4 shorts. I have sold three articles and submitted one novel for agent review.

Several things surprised me here. For starters, I didn’t realize just how prolific I was in the early 2000’s. In the last three years, I have started only two new novel projects and 1 new short story. Most of my attention has been devoted to completing and perfecting Hunters.  Secondly, I had no idea at all that I was completing about 40% of the projects I started. I tend to angst a bit about things left unfinished, and my growing list of projects that I just can’t admit are dead weighs on me sometimes. Seeing that simple percentage has taken a lot of the weight off, honestly.

Statistics have their uses, I suppose. Glad I’ve found mine.

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The Happy Endings I Had Planned

I’m not a sentimental person, believe it or not. I purge things regularly in my house. I don’t generally keep cards or souvenirs of things long past. When I do journal or scrapbook or otherwise record my own personal story, it’s general in the form of reflection geared toward understanding what happened, how that changed me, and what I can take from the experience going forward. The past informs my future, but it has rarely had the power to draw me back to it in a visceral way.

On September 11, 2001, I was getting ready for a job interview at home when the news started reporting about the terrorist attacks in New York. I never watched the news, rarely had the TV on back in those days, so I don’t know why it was on that morning. I remember fumbling for the phone and the number to postpone my interview, calling my husband and my mother-in-law to let them know about it. I remember sitting there in something akin to shock, watching those images and listening to the reports of more planes being taken, of the Pentagon and the people lost in flight in that field in Pennsylvania.

For months afterwards, I tried to put it out of my mind. I moved through life just as I had before, but I was not unchanged by those events. Our world has changed in so many ways since that day, some subtly and some vividly. I found about a year after the event that my writing had changed as well, and wrote a brief poem (a rare thing for me) reflecting on that change.

The Voice Within

I spent today alone but for the silence,
To see if I could still hear the voice within
Or if it had died
Like peace of mind
When the hand of terror touched this land.

I found after a time
The voice still whispered,
In the still places of my darkest self
Where I kept my sense of fear and trepidation
Until they burst the seams that held them in.

The whisperings of my imagination
Unfolded into tales of devastation,
And I put aside the happy endings I had planned,
To write the ever after
My broken heart could stand.

In a lot of ways, those events and the dry period that followed my shock at them, have shaped the stories I have told since. I may never return to completely happy endings. My endings tend to be compromises, a bittersweet blend of joy and sorrow, and that may never change.

Just like the skyline of New York City, there is something inside my own personal landscape that has changed. The horizon is a little darker than it used to be, but every generation has its moments like this – Pearl Harbor, the Kennedy and MLK Jr. assassinations, the World Trade Center. Each one terrible and painful to those who survived them. Each one irreparably changing those of us who were knocked from our customary, safe places in the world by the very existence of such earth-shattering events.

There aren’t any up-sides to things like that, but perhaps there are small, private consolations. Those events help make us who we are. They shape the stories we tell and the children we raise. They give us the power of empathy and compassion. They make the bright spots of life seem a little sweeter. In some ways, the remembrances we take with us join us together – I was alone in that moment, nine years ago, but I am not alone today in my sorrow. What more powerful message can we hope to glean from something so very powerful in our lives?

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A Day of Productivity

Sometimes in the middle of a long project, particularly one I thought was finished several months ago, I just need a win. A finish. Something to show me I can follow through and get the job done. So this morning I ignored my revision-in-progress and made this:

Ain’t he cute?

It’s a quilt top for a wall hanging that measures 24″x24″. I cut, appliquéd, embroidered, and pieced it today. Tomorrow I’ll either go back to work on my novel or sandwich and quilt this cutie pie.

This is the first project I’ve finished (I worked on another quilt for a few hours last week) since my heart problem started back in September, and it felt good to get back into one of the things I really enjoyed before, even if I’m exhausted and sore. I relied heavily on Advil and took breaks every 10-15 min through the cutting, pressing, and piecing – all of which have to be done from either standing or sitting up in a desk chair.

I have always given away everything I craft. As a matter of fact, I don’t believe I currently own a single piece of my own craft work, and I do a lot of crafts – quilting, sewing, embroidery, cross stitch, crochet, hand-painted objects (frames, pots, etc),  ribbon craft, paper crafts, and more. Maybe that, like my heart, is a sign that I spend so much time caring for others, I often forget to take care of myself.

I may just put this cute little guy on a wall in my office… but probably not. We are who we are, after all.

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